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Last Updated on 12 Jul 2019

Author: Andreas Victor Walser

CAPInv. 1958: he hiera mousike Severia[ne synodos ton peri Dionyson techneiton]

I. LOCATION

i. Geographical area Eastern Asia Minor
ii. Region Galatia
iii. Site Pessinous

II. NAME

i. Full name (original language) ἡ ἱερὰ μουσικὴ Σεουηρα[νὴ σύνοδος τῶν περὶ Διόνυσον τεχνετῶν] (I.Pessinous 35)
ii. Full name (transliterated) he hiera mousike Severia[ne synodos ton peri Dionyson techneiton]

III. DATE

i. Date(s) 193 (?) AD - 235 (?)

IV. NAME AND TERMINOLOGY

ii. Name elements
Personal:Σεουηριανή, Severiane, referring to the Severan dynasty
Professional:τεχνεῖται, techneitai, ("artists")
Theophoric:περὶ τὸν Διόνυσον, peri ton Dionyson, ("Dionysian")
Other:ἱερὰ, hiera
iii. Descriptive terms σύνοδος, synodos

V. SOURCES

i. Source(s) I.Pessinous 35
Note Devreker and Strubbe 1996: 60-61 no. 9 (SEG 46, 1630; AE 1996, 1492)
Online Resources I.Pessinous 35
i.a. Source type(s) Epigraphic source(s)
i.b. Document(s) typology & language/script Building inscription
i.c. Physical format(s) White marble block, decorated with a large raised moulding running along the upper part of the stone on the front and on the two sides; holes for fixing another stone on the top, back side much worn.
ii. Source(s) provenance Ballıhisar, in the orchestra of the theater, now in the Museum of Pessinous.

VI. BUILT AND VISUAL SPACE

i. Archaeological remains The block carrying the inscription was part of an unknown larger structure belonging to or related to the activities of the Dionysiac artists.

XII. NOTES

i. Comments For the Dionysiac artists at Pessinous in an earlier period cf. CAPInv. 1956.

XIII. EVALUATION

i. Private association Certain
Note The Dionysiac artists were a special phenomenon, at times acting as a separate state. They can nevertheless be labelled a private association.