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PDFLast Updated on 15 Mar 2017
 
        
        
                
                
                    
                            | i. | Geographical area | Southern Italy with Sicily | 
                            | ii. | Region | Calabria | 
                            | iii. | Site | Rhegion | 
                  
              
                
                
                    
                            | i. | Full name (original language) | τὸ κοινὸν τῶν περὶ τὸν Διόνυσον τεχνιτῶν καὶ προξένων (I.Reggio Calabria 6, ll. 8-9) | 
                            | ii. | Full name (transliterated) | to koinon ton peri ton Dionyson techniton kai proxenon | 
                  
              
                
                
                    
                            | ii. | Name elements | | Professional: | technitai |  | Status-related: | proxenoi |  | Theophoric: | Dionysos | 
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                            | iii. | Descriptive terms | κοινόν, koinon | 
                            |  | Note | koinon: I.Reggio Calabria 6, l. 8 | 
                  
              
                
                
                    
                            | i. | Source(s) | I.Reggio Calabria 6 (l. ii - e. i BC) | 
                            |  | Note | See also: IG XIV 615; Le Guen I 72; Aneziri F5 | 
                            |  | Online Resources | I.Reggio Calabria 6 IG XIV 615
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                            | i.a. | Source type(s) | Epigraphic source(s) | 
                            | i.b. | Document(s) typology & language/script | I.Reggio Calabria 6 is a Greek honorary inscription for a woman Ainesus, cf. Ferrandini Troisi 2000, 50-52. | 
                            | i.c. | Physical format(s) | I.Reggio Calabria 6 is a stone stele, now lost, cf. D'Amore's editorial notes. | 
                            | ii. | Source(s) provenance | I.Reggio Calabria 6 was found nearby the medieval defensive urban wall, between the modern via Biagio Camagna e Giulia, close to the crossroad with via Torrione. | 
                  
              
                
                
                    
                            | iv. | Officials | Officials are collectively called ἄρχοντες, archontes. ἱερεύς, iereus (entirely restored in l. 1)
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                            |  | Eponymous officials | ἱερεύς, iereus ([ἐπὶ ἱερέος], [epi hiereos], l. 1, which is fully restored), cf. Lazzarini 1979: 85 and D'Amore in I.Reggio Calabria 6. | 
                  
              
                
                
                    
                            | ii. | Gender | Men | 
                            |  | Note | Although only male names are mentioned in the inscription, it cannot be excluded that women and children were also in this guild of artists. | 
                  
              
                
                
                    
                            | iii. | Worship | The  ἱερεύς, iereus and the theophoric name of the guild mentioned in the inscription must refer to cultic practice by the members of the association. | 
                  
              
                
                
                    
                            | i. | Comments | Fragments of theatrical masks made in Lipara were found in the sanctuary in via Reggio Campi (cf. D'Amore 2007: 31). The association probably worshipped Dionysos, but it is not possible to exclude other cults, such as that of the Muses.
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                            | iii. | Bibliography | Aneziri, S. (2003), Die Vereine der dionysischen Techniten im Kontext der hellenistischen Gesellschaft. Untersuchungen zur Geschichte, Organisation und Wirkung der hellenistischen Technitenvereine. Stuttgart: 402, F5. Lazzarini, M.L. (1979), 'Un'iscrizione greca di Reggio: le associazioni di attori in età ellenistica', Klearchos 21: 83-96.
 Ferrandini Troisi, F. (2000), La donna nella società ellenistica, Testimonianze epigrafiche. Bari: 50-2.
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                            | i. | Private association | Certain | 
                            |  | Note | The use of the term koinon and the nature of the technitai, in combination with the theophoric name of Dionysios, make it certain that we are dealing with a private association. |